Ransve loves to construct an origin for his gaze and
his disquiet, in their multiple manifestations. Tenachiously, he insists on
looking to the visible for what the visible continues to conceal and to render
imperceptible. He persists obsessively in subtraction something to the immense
and open blackness surrounding and corroding things.
Rita Selvaggio, “The eyes of the mind”. “Ransve
paintings 1962 – 2009” Arnoldsche
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