Ransve loves to construct an origin for his gaze and his disquiet, in their multiple manifestations. Tenachiously, he insists on looking to the visible for what the visible continues to conceal and to render imperceptible. He persists obsessively in subtraction something to the immense and open blackness surrounding and corroding things.
Rita Selvaggio, “The eyes of the mind”. “Ransve paintings 1962 – 2009” Arnoldsche
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