Kurt Schwitters (1887–1948) was one of the most innovative artists of the 20th Century. His creative diversity is evident in everything from collage, sound poetry, and architecture, to sculpture, painting, and typography.
OBSERVINGART: People need art, arts need an audience! This is an international blog about art and art events. It is based on enthusiasm and is non commercial. Posts are observations by me or others: this blog is open for input from artists, galleries, museums, auctioneers, dealers, collectors, experts and others reachning for a global audience. Contribute by spreading the work: like, subscribe or share! You can also follow OBSERVINGART on Twitter and Instagram.
Showing posts with label art. fine art. Show all posts
Showing posts with label art. fine art. Show all posts
Thursday, June 23, 2016
Wednesday, May 11, 2016
Observingart: Japanese influence on Nordic art
Japanomania in the North:
Akseli Gallen-Kallela,
Wild Angelica, 1889.
Finnish National Gallery / Hannu Aaltonen
For the first time ever, an exhibition will focus on the wide-ranging Japanese influence on Nordic art and design around 1900. Works by leading Nordic artists such as Gerhard Munthe, Bruno Liljefors, Helene Schjerfbeck, and Oda Krohg will be presented alongside works by European pioneers such as Monet, Gauguin, and van Gogh.
When the exhibition opens 17 June, it will be shown at two venues, with an emphasis on visual arts at the National Gallery and on design at the Museum of Decorative Arts and Design.
This Japanese inspiration, known in the world of art as Japonism, was the result of Japan opening its borders in 1854, but it first became evident in the Nordic countries from the 1880s on.
Asymmetry, simplification, stylization, and looser shapes and forms were new stylistic elements that revolutionized both art and the decorative arts, thereby prefiguring modernism in the Nordic countries. Japanese paintings and colour prints were also instrumental in developing the visual arts, while porcelain, ceramics, textiles, lacquerware, and similar goods from Japan inspired designers and craftsmen to develop new aesthetic idioms. The exhibition will show around 400 objects inspired by Japanese design, as well as 200 paintings and woodcuts.
The curators for the exhibition are Widar Halén and Vibeke Waallann Hansen. The curators for the exhibition at the Finnish National Gallery Ateneum, where the exhibition is currently on display, are Gabriel P. Weisberg and Anna-Maria von Bonsdorff.
Bruno Liljefors, Jays, 1886.
Nationalmuseum Stockholm
Tuesday, April 26, 2016
Observingart: news
William Wegman, Inside Outside, 2014, oil and postcard on wood panel.
‘THE DOG REALLY CONFUSED THINGS’
Another side of William Wegman on view in New York.
JURI MARKKULA
RGB Jord
April 28 - May 28, 2016
Juri Markkula opening reception April 28, 2016, 5-8pm.
Carmin Ground
2015
50x50cm
Read more: www.larsbohmangallery.com/
Friday, April 22, 2016
Observingart: news
Linn Fernström
Staden, 2016 oil on canvas 72 x 125 cm
|
Tuesday, April 12, 2016
Observeart: William Hogarth. A Harlot’s Progress and Other Stories- the National Gallery of Denmark
William Hogarth
First Stage of Cruelty
1750 - 1751
433 x 362 mm
SMK – The National Gallery of Denmark
First Stage of Cruelty
1750 - 1751
433 x 362 mm
SMK – The National Gallery of Denmark
Prostitution, poverty,
violence, drunkenness and deceit. A new exhibition at the National Gallery of
Denmark focuses on the British artist and satirist William Hogarth (1697–1764).
His original series offered wry commentaries on eighteenth-century city life,
and he is now regarded as one of the first major English artists.
Labels:
art. fine art,
new exhibition,
paperworks
Location:
København, Danmark
Friday, April 1, 2016
Observingart: art updates
Claude Monet: The Water-Lily Pond 1899,
Oil on canvas, 88.3 x 93.1 cm
The National Gallery, London
© Copyright The National Gallery, London 2016
The National Gallery, London
© Copyright The National Gallery, London 2016
Ordrupgaard brings iconic Monet works to Copenhagen
See Claude Monet’s famous water lilies, bridges and haystacks when Ordrupgaard opens the exhibition Monet. Beyond Impressionism on 24 August 2016.
Thursday, March 31, 2016
Observingart: collecting art
How to Give Your Collection Away But Still Have Use of It?
Daniel Grant uses the Wall Street Journal to outline the process of making an irrevocable trust for an art collection which allows the owners to donate their art to a trust, keep it and pay rent on the art. Read article at Art Market Monitor
Drawing Week in Paris … and the impact of the Chinese market
A long-term graph of the best auction results in the field of drawing shows that the explosion of the drawing market is a recent phenomenon that more or less coincides with the development of the Chinese market. Read article at Art Market Monitor
Saturday, March 12, 2016
Observeart: Onno van Seggelen with a selection of their finest drawings at TEFAF 2016.
Showcase exhibitor Onno van Seggelen will present a selling exhibition with a selection of their finest drawings at TEFAF 2016. Their presentation 'Four Centuries of Master Drawings', includes work by Jan Brueghel the Younger - See more
Labels:
art. fine art,
drawings,
TEFAF 2016
Location:
Maastricht, Nederland
Friday, March 11, 2016
Observingart: Historic Florentine Masterpiece at TEFAF 2016
The centrepiece of leading Italian dealer Carlo Orsi’s stand (344) at TEFAF 2016 is an impressive oil on canvas of The Death of Filippo Strozzi by the Florentine artist Giuseppe Bezzuoli (1784-1855) Read more
Labels:
art. fine art,
Bezzuoli,
TEFAF 2016
Location:
Maastricht, Nederland
Monday, March 7, 2016
Observingarts: "Along the Coast. Gude and his students around 1870 "at The National Museum, Oslo
Fresh Breeze on the Norwegian Coast, 1876
Hans Gude
Photo by Nasjonalmuseet
The exhibition ‘Along
the Coast. Gude and his students around 1870’ explores how the
realistic maritime painting was established, and how significant Gude’s
depictions of land and sea became for his Norwegian students at the art academy
in Karlsruhe. Famous artists such as Kitty Kielland, Frits Thaulow, Christian
Krohg, Amaldus Nielsen and Nikolai Ulfsten were all among Gude’s students in
Karlsruhe. Following Gude’s advice they went on field trips to the beaches of
southern Norway and discovered motifs from their native land, demonstrated by
for instance Kitty Kielland’s paintings from Jæren.
Langs kysten, Eilif Petterssen, På Jæren, Nicolai Ulfsten, 1879 P.E.
For the majority, Hans Gude (1825–1903) is best known for his
collaborations with Adolph Tidemand on the national romantic icon ‘Bridal Procession on the
Hardangerfjord’ (1848), where Gude painted the landscape. But after
a while he turned to other sources of inspiration, and became a maritime
painter. He had a great international career: first as a teacher in Düsseldorf,
then in Karlsruhe and finally in Berlin.
Langs kysten, Snetykke/Drifting Snow, Nils Hansteen, 1890Nasjonalmuseet
A total of 110 works of art are presented in ‘Along the Coast. Gude and his
students around 1870’, both paintings and works on paper. In
addition to the National Gallery’s own collection, are several paintings on
loan from museums in Norway and Sweden, as well as private collections. The
exhibition thereby gives a unique opportunity to see art that has never before
been publicly displayed.
Read more
Read more
Saturday, March 5, 2016
Friday, March 4, 2016
Observingart: Art Basel 2016 - art
Browse art from 2016 list of exhibitors for Art Basel:
303 Gallery: Karen Kilimnik "Going off to the Battle"
tapestry - off to a glittering start,
2015
Labels:
Art Basel,
art. fine art,
exhibition
Location:
Basel, Sveits
Saturday, February 27, 2016
Observingarts: At Home with Hammershøi at Ordrupgaard
Vilhelm Hammershøi, Courtyard (1905).
Private Collection.
Photo KODE the Art Museums of Bergen
The whole world knows and loves his
quiet, grey rooms in Christianshavn, where time stands still and light streams
in through the mullioned windows. Now, Ordrupgaard is marking the centenary of
Hammershøi’s death with an exhibition that celebrates his heyday: his years at
Strandgade 30, where some of his best works were created, and where the real
essence of Hammershøi found its way onto the canvas.
The exhibition opens on 4
March.
Monday, February 22, 2016
Observingarts: Yayoi Kusama – In Infinity at Henie Onstad Artcentre, Oslo.
Yayoi Kusama. Kusama with pumpkin. Aichi Triennale, 2010.
Courtesy Ota Fine Arts, Tokyo/ Singapore; Victoria Miro Gallery, London; David Zwirner, New York;
and KUSAMA Enterprise. © Yayoi Kusama
Courtesy Ota Fine Arts, Tokyo/ Singapore; Victoria Miro Gallery, London; David Zwirner, New York;
and KUSAMA Enterprise. © Yayoi Kusama
Yayoi Kusama – In Infinity
This most comprehensive solo exhibition tells the full story of the
Japanese artist Yayoi Kusama’s production, from her dot paintings to the
installation spaces that open into a vast world of her imagination. This is a
world where color, patterns, and movement bear witness to her fascination with
the infinite.
Or enter "the dotted universe" here:
Labels:
art. fine art,
contemporary art,
exhibition
Location:
Oslo, Norge
Sunday, February 21, 2016
Observingarts: The Nationalmuseum of Sweden has acquired a nude by Christoffer Wilhelm Eckersberg
Nationalmuseum has acquired a nude by Christoffer Wilhelm
Eckersberg, a central figure in the art history of the Danish Golden Age.
Eckersberg renewed a traditional genre by painting nudes in natural daylight,
such as the acquired work. Nationalmuseum has also acquired a second nude and
an idyllic interior scene of a mother and child by a window, both painted by
Eckersberg’s pupil Ludvig August Smith.
Labels:
acquisitions,
art. fine art,
Sweden,
The National Museum
Location:
Stockholm, Sverige
Saturday, February 20, 2016
Observingart: Munch and Expressionism Neue Galerie New York February 18–June 13, 2016
Edvard Munch - Self portrait in hell.
Source: Google Art Project: pic/ Wikipedia
Picture is an illustration, not from the exhibit.
The show, curated by Expressionist scholar Dr. Jill Lloyd, has been organized in tandem with Munch specialist Dr. Reinhold Heller.
Observingarts: ArtPrice.com: Post-War and Contemporary Art - new records.
ArtPrice.com : Against the backdrop of stock market crashes, the Art Market proves to be particularly solid. The auction results of London's Contemporary Art sales have naturally adjusted compared to 2015, as auction houses acted wisely in this particular economic situation and reviewed their number of lots on offer. These results are far from alarming. The unsold rates are low and new records were set. Last Wednesday, 10 February 2016, Phillips' chairman, Ed Dolman, commented on the Art Market in 2016: "the Art Maket has not crashed the way stock exchange markets did because it is an intelligent, more discerning market". Read full article here
Friday, February 19, 2016
Observingart: Nikolai Astrup at Dulwich Picture Gallery
Dulwich Picture Gallery presents the radically innovative works of Norwegian artist Nikolai Astrup (1880 - 1928) for the painter and printmaker's first ever major London exhibition - and indeed the world's, outside of Norway.
Read more
or enjoy these videos for more details:
Observingarts: Along the coast: Gude and his Students around 1870
Langs kysten, Til værs/High up,
Christian Krohg, ca 1900
Maritimt museum
Labels:
art. fine art,
exhibition,
Oslo,
The National Museum
Location:
Oslo, Norge
Tuesday, February 16, 2016
Observingarts: Dag Thoresen, new paintings at Gallery Haaken 18. February 2016
Fjære
Dag Thoresen, 2015
110 x 160 cm
Dag Thoresen, 2015
110 x 160 cm
Gallery Haaken
exhibits Dag Thoresen at their Tjuvholmen gallery in Oslo.
The color has
always been the most important in Dag Thoresen paintings.
Also the pace has in
recent years gained a much greater
significance in the manufacturing process.
Dag Thoresen:
Childhood, stars, 2016,
135 x 190 cm
The current exhibition holds all of Thoresens coloristic daring, imaginative,
abstract landscapes
painted with a large pace or alla prima. Transitions,
corrections and improvements are still
part of the painterly expression, but in
images we can sense an even stronger and more direct
connection with nature's
pulse than previously.
Dag Thoresen:
Summer, for Robert H., 2015,
100 x 170 cm
Thoresen has found a key point: " to pry into
nature as closely as possible."
The exhibition includes 10 paintings.
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